TheFourthSpace

Home. Work. Community. Most lives move between three spaces, and between them a life is fully accounted for.

There is a fourth. It keeps no address and appears on no schedule. It is the studio at four in the morning, the fitting before the car comes, the dinner where the thing is settled before it is ever written down. It is where the record gets made, the look gets chosen, the career gets changed.

You have spent your career inside it. Almost no one else has ever seen it.

This December, at Faena Forum, we are building that room and opening the door. We would be honored to build it with you.

The Fourth Space opens December 4–5, 2026 at Faena Forum, Miami Beach, in the heart of Art Week.

December 4 begins in private. One hundred VIP seats. One dinner. By invitation.

December 5 opens the doors. By day, an exhibition of what comes next. By night, a thousand-seat room where performance, conversation and art converge around a single honoree.

The first is Ms. Lauryn Hill.

There is a version of this evening that books a legacy act, plays the records everyone knows, and calls it a tribute. We are not interested in that room. The premise of The Fourth Space is that the catalogue is still working on people — that the argument an artist made is unfinished, and the point of gathering is to hear it continue rather than to applaud it closing.

Two nights. You are the center of both.

December 4 — The Dinner. An intimate seated dinner for one hundred at Faena. Invited guests, executive partners, and the people who built the careers in the room. We would like you there as our guest of honor, with thirty invitations of your own.

Sainted. The cover of the issue, and the annual Book of Saints print edition. A long-form portrait made with you rather than about you, on your terms and to your approval.

The centerpiece of the evening. A thousand-capacity room at Faena Forum, an evening of art, poetry and performance leading directly into you.

Not a moderated panel and not an interview. A conversation between two artists who understand each other's work from the inside, leading into the presentation of The Saints Icon Award.

The Miseducation of Lauryn Hill did something almost nothing else in the catalogue has done: it made a generation argue with itself about what it owed. That argument is still live. We would like to put it in a room and let it be heard rather than remembered.

The inaugural year is the one that gets referenced forever.